Penmanship Pencils: A Review

In Asia, there is a lot of emphasis on penmanship.  So much so, that there are specific pencils for that exact purpose.  I suppose in Asian countries the intricacy of their handwritten language necessitate a need for such tools.  The penmanship pencil offers a smooth, dark graphite that glides across the paper and provides ample feedback for your writing experience.  I would relate the writing experience to writing with a crayon and marker combined into one.  What is equally great about these pencils is that they do not smudge much like other darker lead grades.  This is very useful if you want to use them to take notes or journal (note: I have tried these on a few different paper types, but not all).  Today I am going to take a look at the two main penmanship (pencilship?) pencils; the Tombow MONO and the Mitsubishi Uni:

At first glance, both of these pencils are beautiful.  From the striking finish to the inscriptions on the side of the pencil, they are a writing implement you are just drawn (no pun intended) to.  Like most Japanese pencils I have used, the attention to detail is phenomenal.

The cores of both of these pencils are nice and thick with the Mitsubishi core being a tad bit thicker.  Both were sharpened with the Classroom Friendly sharpener:

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Writing with the Tombow proved to be a dream.  The pencil was nice and smooth and laid down nice, dark lines.  Compared to the Mitsubishi, the Tombow provided more feedback when writing-- the actual sound of scribbling resonated much more so than the Mitsubishi.  This may have had to do with the fact that the Tombow was a lighter pencil overall weight-wise.  The graphite laid down was almost identical to the Mitsubishi and did not smear.  I also preferred the color scheme of the Tombow as I like bright colors, but my opinion is entirely subjective.  The Mitsubishi on the other hand was heavier, provided almost no feedback when writing, and the finish, while not as attractive as the Tombow was better.  The thicker lacquer and the larger core most likely added to the overall weight of the Mitsubishi as I feel both of these pencils are made from the same wood.  Another positive is that the Mitsubishi is a bit easier to find than the Tombow.  Both CW Pencils and JetPens carry the Mitsubishi, while only CW Pencils carries the Tombow.

I really cannot say that there is a clear winner here.  Both pencils perform well and I think it comes down to which is more aesthetically pleasing to the user.  Here are links for both pencils at CW Pencils: Tombow and Mitsubishi 

 

Mitsubishi 9000 HB

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I must say, with full disclosure, that Japanese-made pencils will always have a special spot in my pencil loving heart.  It was the Tombow MONO that first piqued my interest and sent me down the rabbit hole of pencil using/collecting.  There is something about Japanese pencils; the darkness and strength of their graphite, the beautiful finish and attention to detail that goes into each brand, and the overall consistency I am met with each time I pick up a new pencil to use.  This week, I used the Mitsubishi 9000 HB and fell in love with its smooth lay-down and beautiful color scheme.  First, the pencil itself is a sight to behold.  It has a shiny green lacquer with a darker Kelly green stripe around the top where the lead grade is located.  The gold foil stamping is precise and really shines with the green color.  One one side (and perhaps one of my favorite imprints to date) it has "Made by elaborate process" stamped proudly and reassuringly.  And see, that's just it.  I really feel as though so much went into the making of this pencil and that careful scrutiny accompanied it during its entire journey into my possession. 20160221_180342-1

Sharpening the Mitsubishi 9000 was a joy and not once did a point prematurely break.  AS with all of my pencils, the first sharpen is made by the Classroom Friendly and then I switch over to the KUM Masterpiece (which is now on US soil...see Caroline!).  My entire week of writing with this pencil was a joy.  With a heavy note-taking week behind me, I still have about half a pencil left.  It erases effortlessly with the Mitsubishi Boxy and  does not smudge or smear.

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This pencil will definitely make it into my rotation and I recommend that everyone should try one at least once.  They are moderately priced at $1.00 a pencil, but with its durable graphite, I feel as though this pencil will last you twice as long.  If you are interested, as always, head to Caroline.  Overall 9.5/10

 

 

 

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Mitsubishi 9852EW HB

Hello folks!  It has been a long week over here at TWP.  Fall semester has started and now that I have had a chance to sort out my workload, I have decided to change the frequency of my postings.  I will still be posting weekly, but just once a week on Saturdays.  I was finding that doing an intro, mid-week and final post really left me scraping for things to write about, so if I just focus on one post a week it should be easier for me (and better quality stuff for you!).  Now, on to the pencil: 20150905_155459_001In 1887, Niroku Masaki founded the Masaki Pencil Manufacturing Company in Shinjuku, Japan.  Masaki set up shop with just ten employees with the intent of creating a pencil with the most superior quality and style.  After World War II, Masaki Pencil Manufacturing Company became Mitsubishi Pencil Manufacturing Company and, well, the rest is history [1].  Over 125 years later Mitsubishi Pencil Company still dominates in quality and aesthetics.  The pencil I used this week seems to be an "Eco Writer" version of the regular 9852 HB.  I really enjoyed the look of the pencil; from the unfinished natural barrel to the "Master Writing" imprint on the side, this pencil is very attractive.  The only thing I hate is the stupid bar code on the side, but that disappears soon enough anyway.

20150905_155429 Sharpening the pencil was a breeze and the graphite core was solid and writing with this pencil reminded me of the way the old "Made in USA" Ticonderogas felt.  The 9852EW is an entry-level sub $1 pencil, so I didn't expect velvety smooth lines.  The ferrule of the pencil has a brownish chrome tinge to it-- something unique that I have never seen before.  The eraser is black and VERY dusty leaving little particles everywhere; it does its job, but poorly.

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Overall, this pencil got me through the first week of classes no problem.  With all of the writing I did throughout the week, the pencil is only a third of the way sharpened.  Point retention is great for such a cheap pencil.  I prefer my pencils to lay graphite a bit darker and smoother, but I was surprised how dark this pencil was considering it was just an HB.  I find that Japanese pencils tend to write on the darker side anyway +/- a few lead grades.  Here are my final thoughts:

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